The compositions included a string quartet, a piece for flute and electronic tape, an instruction-based piece for 14 instruments that included staging, and an extended jazz piece. Most of the music had an avant-garde flavor. However, my concept for the event was for it to be fun and accessible. Afterwards, Dr. Tyrone (my composition professor) came up to me with a big smile. He loved it.
In 2012 I wanted to write a new piece that expressed the spirit of that earlier time in my musical life. Smaller Ups And Downs was the result. The piece came to me in a dream! Instead of hearing the music, I saw pages of a score. The dream also gave me ideas for an 11-tone harmonic complex based on intervallic relationships. Upon waking up I wrote down as much as I could remember from the dream. Then, as I worked on the score in the days that followed I used my intuition to fill in the gaps.
This piece is for 5 wind instruments (flexible instrumentation) and soloist. The role of the soloist is entirely improvised. In addition, the soloist does not have to be limited to one musician. It can be expanded to multiple musicians -- up to a small band (any genre). This music has a great amount of freedom. Any creative possibility can be explored.
Ensembles that are interested in playing Smaller Ups And Downs can write to me from the Contact page.