Roger Aldridge - News

Music For Video

5/12/2019

For those interested in using my recordings in a video project, an easy way to do it is purchase a music license online through Zudo Music.

Zudo license rates for videos:

Home / Personal Video $39
Web Video (Youtube, Vimeo, etc.) $59
Wedding Video $79

The Music Licensing page has a link to my artist page at Zudo Music. There, listen to my recordings in the Zudo catalog and find one that is a match for your project.

The following video demonstrates how quick it is to select music, purchase a music license, and download a recording through the Zudo website. There is a sliding scale of rates for a wide range of visual media projects.

See Music For Video and FAQs for more information.

Zudo can also license my music for ads (small business, crowdfunding, not-for-profit), games (video games, mobile apps), TV (web or network), and film (indie or studio).

Rich Pulin Jazz Radio 5/23/19

5/9/2019

Rich Pulin will have another one-hour interview with me on his Pulin 4 Jazz internet radio show. It will be streamed live from Las Vegas on Thursday, May 23, at 3:30 Eastern time.

We will feature a selection of my pieces for mid-size jazz ensemble. Please join us.

Here is a link to Pulin 4 Jazz:
http://page.cloudradionetwork.com/pulin/

For those who are not familiar with Rich, see About Rich Pulin.

Archive recordings for some of my past shows are available on the Links page under Interviews.

Radio Show For David Arivett

4/23/2019

Rich Pulin and I will have a radio show on April 25 that is dedicated to David Arivett. David died on March 23. He was of great help to me in our music collaborations and as a friend. We will feature many of the recordings that David made of my originals.

An archive recording of the show can be heard here:
https://archive.org/details/RogerAldridgeOnPulin4JazzApril252019

David Arivett

4/2/2019

I just learned that David Arivett passed on. He was one of my closest music friends even though he lived in Arkansas and I only knew him on Facebook. For those who know my music, you will know David's name. For the past 5+ years he recorded many of my scores and tunes. Each recording is a gem. And, David was a person who would have been a great friend in real life. I will be forever grateful to him.

Here is a message that his son posted at the Jazz Arranging group that David started on Facebook:

"My name is Aaron Arivett and I am David Arivett’s son. On behalf of my dad I wanted to share that on March 23rd he passed away due to complications related to a heart attack. He was incredibly passionate about all music, but certainly had a great love of Jazz. It inspired him to found this group, along with others, as a means of sharing the creative and meaningful with fellow colleagues and friends.

He was my mentor, idol, father and friend. I’ll cherish that relationship for the rest of my life.

We are forever grateful for his love, indelible spirit, passion, sense of humor and musical genius that we will endeavor to continue through the lives we lead moving forward."

The last recording that David made for me was New Tango No. 7. He finished it in February. It occurred to me that it might be among the last recordings he created. Right off the bat, you will hear David's joy and sense of fun. He used only my lead sheet for the recording and put much of himself into the music.

A Music Mystery

3/15/2019

In 1999 I received a BMI royalty check for one of my tunes that was recorded in the Czech Republic. The music was Smoke In The Hollow, a fiddle tune that I wrote in 1993. No information was given about who recorded it. This has been a mystery for 20 years. Several weeks ago I remembered the royalty check and, being curious, I tried to see if I could discover something about the recording.

Several musician friends were able to help me and I received the following information: My tune is on a Ladislav Vodicka album that was recorded in 1996. Looking up Ladislav Vodicka, I learned that he was known as the "Czech Johnny Cash". My title Smoke In The Hollow was translated as "Zakouřená Rokle" and the recording is track #5 on the album Starej Voda po dvaceti letech.

Thanks to Vojtech Pestuka, I received a recording of Zakourena Rokle and was finally able to listen to it. However, I was surprised by how the recording is completely different from my music. Yet, I have a composer's credit on the album. I wrote to the person who was the music director for Ladislav Vodicka to see if he can give me more information. No reply has been received so far. Thus, I still have no idea how my music found its way to the Czech Republic in that time period and was changed in such a drastic way. For now, it is still a mystery.

Here is the recording of Zakourena Rokle and a scan of my original copy of Smoke In The Hollow.

According to Vojtech, the lyrics are about a tramp who comes to a county where they warn him not to go to a hollow with smoke in it, but he does, and he sees a girl appearing out of the smoke every night. He approaches her and then then song ends with the repeated phrase “he never had to walk alone in his life again”.

New Tango No. 7 Recording

2/8/2019

David Arivett made a recording of New Tango No. 7. This piece is a fast tango with a passionate spirit. Its shifting time and extended form are unusual for a tango.

The lead sheet for New Tango No. 7 is for sale at Sheet Music Plus and the recording is available for music licensing through Zudo Music.

The Rookery Interview

12/19/2018

A link to my interview in the Winter 2018 edition of The Rookery has been added to the Links page on my site. This came about through David Arivett's recording of Eastern Neck Island. The staff at the Eastern Neck National Wildlife Refuge liked the music so much that they asked Marty Hoover, a journalist living in Rock Hall, Maryland, to write an article about it.

Looking Back, Looking Ahead

7/13/2018

When I woke up today memories of my graduate composition recital came to mind. It has been many years since I thought about it. The music was presented in an unconventional way. Each piece was performed in a different location. The audience walked from place to place and was led by actors from the drama department. The actors were in costumes and street theater was performed along the routes. A ragtime band led the audience to the last performance.

The compositions included a string quartet, a piece for flute and electronic tape, an instruction-based piece for 14 instruments that included staging, and an extended jazz piece. Most of the music had an avant-garde flavor. However, my concept for the event was for it to be fun and accessible. Afterwards, Dr. Tyrone (my composition professor) came up to me with a big smile. He loved it.

In 2012 I wanted to write a new piece that expressed the spirit of that earlier time in my musical life. Smaller Ups And Downs was the result. The piece came to me in a dream! Instead of hearing the music, I saw pages of a score. The dream also gave me ideas for an 11-tone harmonic complex based on intervallic relationships. Upon waking up I wrote down as much as I could remember from the dream. Then, as I worked on the score in the days that followed I used my intuition to fill in the gaps.

This piece is for 5 wind instruments (flexible instrumentation) and soloist. The role of the soloist is entirely improvised. In addition, the soloist does not have to be limited to one musician. It can be expanded to multiple musicians -- up to a small band (any genre). This music has a great amount of freedom. Any creative possibility can be explored.

Ensembles that are interested in playing Smaller Ups And Downs can write to me from the Contact page.

Lost Music

7/3/2018

I was reflecting just now on all of the music that I wrote before 1989. With a handful of exceptions, all of that work (handwritten scores and lead sheets) was lost due to one reason or another.

I was thinking about several pieces that I wrote in the late 1960's and early 70's. In particular, two pieces for concert band -- Haiku Sketches and Ten Events for Band. It has been many years since I thought about them. There was also an extended piece for double quartet (classical woodwinds and jazz ensemble) as well as several pieces for experimental theater. As I write these words, more originals and arrangements are coming back into my mind. I did A LOT of writing during those years!

At this stage in my life and in how my music has evolved, it is likely that I would no longer care for those earlier pieces; but, some of them might have been like meeting old friends again. Regardless, what's gone is gone. I am entirely happy to have all of the music that I have written since 1989...almost 30 years worth. When I think about the pieces that I no longer have, I can see how they served as a foundation for the music that came later. In truth, nothing is ever lost.

Charleston Youth Winds

5/7/2018

The Charleston Youth Winds ensemble in Charleston, SC has begun to rehearse two of my pieces -- Appalachian Awakening and Salt Marsh Rag. They have an interesting instrumentation: woodwinds, viola, trombone, tuba, piano, and rhythm/percussion as needed. Kristy Marx, the ensemble's Director, discovered my scores (written for flexible instrumentation) at Sheet Music Plus and purchased these pieces. The unconventional instrumentation of this ensemble is right up my alley.

http://www.charlestonyouthwinds.org